The Child - Couverture souple

***This excerpt is from an advance uncorrected copy proof***

Copyright © 2017 Fiona Barton

 

THE CHILD

Fiona Barton

 Chapter 1

Emma

Tuesday, March 20, 2012

My computer is winking at me knowingly when I sit down at my desk. I touch the keyboard, and a photo of Paul appears on my screen. It’s the one I took of him in Rome on our honeymoon, eyes full of love across a table in the Campo dei Fiori. I try to smile back at him but as I lean in, I catch a glimpse of my reflection in the screen and stop. I hate seeing myself without warning. Don’t recognize myself sometimes. You think you know what you look like and there is this stranger looking at you. It can frighten me.

But today I study the stranger’s face. The brown hair half pulled up on top of the head in a frantic work bun, naked skin, shadows and lines creeping towards the eyes like cracks in pavement.

“Christ, you look awful,” I tell the woman on the screen. The movement of her mouth mesmerizes me and I make her speak some more.

“Come on, Emma, get some work done,” she says. I smile palely at her and she smiles back.

“This is mad behavior,” she tells me in my own voice, and I stop. Thank God Paul can’t see me now, I think.

When Paul gets home tonight, he’s tired and a bit grumpy after a day of “boneheaded” undergraduates and another row with his department head over the timetable.

Maybe it’s an age thing, but it seems to really shake Paul to be challenged at work these days. I think he must be starting to doubt himself, see threats to his position everywhere. University departments are like prides of lions, really. Lots of males preening and screwing around and hanging on to their superiority by their dewclaws. I say all the right things and make him a gin and tonic.

When I move his briefcase off the sofa, I see he’s brought home a copy of the Evening Standard. He must’ve picked it up on the tube.

I sit and read it while he showers away the cares of the day, and it’s then I see the paragraph about the baby.

“Baby’s Body Found,” it says. Just a few lines about how an infant’s skeleton has been discovered on a building site in Woolwich and police are investigating. I keep reading it over and over. I can’t take it in properly, as if it’s in a foreign language.

But I know what it says and terror is coiling around me. Squeezing the air out of my lungs. Making it hard to breathe.

I am still sitting here when Paul comes down, all damp and pink, and shouting that something is burning.

The pork chops are black. Incinerated. I throw them in the bin and open the window to let out the smoke. I fetch a frozen pizza out of the freezer and put it in the microwave while Paul sits quietly at the table.

“We ought to get a smoke alarm,” he says instead of shouting at me for almost setting the house on fire. “Easy to forget things when you’re reading.” He is such a lovely man. I don’t deserve him.

Standing in front of the microwave, watching the pizza revolve and bubble, I wonder for the millionth time if he’ll leave me. He should have done years ago. I would have if I’d been in his place, having to deal with my stuff, my worries, on a daily basis. But he shows no sign of packing his bags. Instead he hovers over me like an anxious parent, protecting me from harm. He talks me down when I get in a state, invents reasons to be cheerful, holds me close to calm me when I cry, and tells me I am a brilliant, funny, wonderful woman.

It is the illness making you like this, he says. This isn’t you.

Except it is. He doesn’t know me really. I’ve made sure. And he respects my privacy when I shy at the mention of my past. “You don’t have to tell me,” he says. “I love you just the way you are.”

Saint Paul—I call him that when he’s pretending I’m not a burden to him, but he usually shushes me.

“Hardly,” he says.

Well, not a saint, then. But who is? Anyway, his sins are my sins. What do old couples say? What’s yours is mine. But my sins . . . well, they’re my own.

“Why aren’t you eating, Em?” he says when I put his plate on the table.

“I had a late lunch, busy with work. I’m not hungry now, but I’ll have something later,” I lie. I know I would choke if I put anything in my mouth.

I give my brightest smile—the one I use for photos. “I’m fine, Paul. Now eat up.”

On my side of the table, I nurse a glass of wine and pretend to listen to his account of the day. His voice rises and falls, pauses while he chews the disgusting meal I’ve served, and resumes.

I nod periodically but I hear nothing. I wonder if Jude has seen the article.

 

Chapter 2

Kate

Tuesday, March 20, 2012

Kate Waters was bored. It wasn’t a word she normally associated with her job, but today she was stuck in the office under the nose of her boss with nothing to do but rewrites.

“Put it through your golden typewriter,” Terry, the news editor, had shouted across, waving someone else’s badly written story at her. “Sprinkle a bit of fairy dust on it.”

And so she did.

“It’s like an assembly line in here,” she complained to the Crime Man, sitting opposite. “Churning out the same old rubbish with a few frills. What are you working on?”

Gordon Willis, whom the Editor always referred to by his job title—as in “Get the Crime Man on this story”—lifted his head from a newspaper and shrugged.

“Going down to the Old Bailey this afternoon—want to have a chat with the detective chief inspector in the crossbow murder. Nothing doing yet but hoping I might get a talk with the victim’s sister when it finishes. Looks like she was sleeping with the killer.

“It’ll be a great multi-deck headline: ‘The Wife, the Sister and the Killer They Both Loved,’” he said and grinned at the thought. “Why? What have you got on?”

“Nothing. Unpicking a story one of the online slaves has done.” Kate indicated a pubescent nymph typing furiously at a desk across the room. “Straight out of school.”

She realized how bitter—and old—she must sound and stopped herself. The tsunami of online news had washed her and those like her to a distant shore. The reporters who once sat on the Top Table—the newspaper equivalent of the winner’s podium—now perched at the edge of the newsroom, pushed farther and farther towards the exit by the growing ranks of online operatives who wrote twenty-four/seven to fill the hungry maw of rolling news.

New media stopped being new a long time ago, the Editor had lectured his staff at the Christmas party. It was the norm. It was the future. And she knew she had to stop bitching about it.

Hard, she told herself, when the most viewed stories on the paper’s slick website are about Madonna’s hands being veiny or an EastEnders star putting on weight. “Hate a Celebrity” dressed as news. Horror.

“Anyway,” she said out loud, “it can wait. I’ll go and get us a coffee.”

Also gone were the days of the CQ—the conference quickie—once enjoyed by Fleet Street’s finest in the nearest pubs while the executives were in the Editor’s morning meeting. The CQ was traditionally followed by red-faced, drunken rows with the news editor, one of which, legend had it, ended with a reporter, too drunk to stand, biting his boss’s ankle and another throwing a typewriter through a window into the street below.

The newsroom, now in offices above a shopping mall, had windows hermetically sealed by double glazing, and alcohol was banned. Coffee was the new addiction of choice.

“What do you want?” she asked.

“Double macchiato with hazelnut syrup, please,” he said. “Or some brown liquid. Whichever comes first.”

Kate took the lift down, pinching a first edition of the Evening Standard from the security desk in the marble lobby. As she waited for the barista to work his magic with the steamer, she flicked idly through the pages, checking for the bylines of friends.

The paper was wall-to-wall preparations for the London Olympics and she almost missed the paragraph at the bottom of the News in Brief column.

Headlined “Baby’s Body Found,” two sentences told how an infant’s skeleton had been unearthed on a building site in Woolwich, not a million miles from Kate’s east London home. Police were investigating. No other details. She tore it out of the paper for later. The bottom of her bag was lined with crumpled scraps of newspapers—“it’s like a budgie cage,” her eldest son, Jake, had teased about the shreds of paper waiting for life to be breathed into them. Sometimes whole stories to be followed up on or, more often, just a line or a quote that made her ask, “What’s the story?”

Kate reread the thirty words and wondered about the person missing from the story: the mother. As she walked back with the cups, she ticked off her questions: Who is the baby? How did it die? Who would bury a baby?

“Poor little thing,” she said out loud. Her head was suddenly full of her own babies—Jake and Freddie; born two years apart but known as “the boys” in family shorthand. Them as sturdy toddlers, schoolboys in football gear, surly teenagers, and now adults—well, almost. She smiled to herself. Kate could remember the moment she saw each of them for the first time: red, slippery bodies; crumpled, too-big skin; blinking eyes staring up from her chest; and the feeling that she had known their faces forever. How could anyone kill a baby? she thought.

When she got back to the newsroom, she put the cups down and walked over to the news desk.

“Do you mind if I have a look at this?” she asked Terry, waving the tiny cutting in front of him as he tried to make sense of a feature on foreign royals. He didn’t look up so she assumed he didn’t.

Her first call was to the Scotland Yard press office. When she’d started in journalism, as a trainee on a local paper in East Anglia, she used to call in at the local police station every day to lean on the front desk and look at the logbook while the sergeant chatted her up. Now, if she contacted the police, she rarely spoke to a human being. And if she did, it was likely to be a fleeting experience.

“Have you listened to the tape?” a civilian press officer would ask, in the full knowledge that she hadn’t, and she would find herself quickly rerouted to a tinny recorded message that took her through every stolen lawnmower and pub punch-up in the area.

But, this time, she hit the jackpot. It was not only a real person; it was someone she knew. The voice on the other end of the phone belonged to a former colleague from her first job on a national newspaper. He was one of the poachers turned gamekeepers who’d recently joined the safer, some said saner, world of public relations.

“Hello, Kate. How are you? Long time . . .”

Colin Stubbs wanted to chat. He’d done well as a reporter, but his wife, Sue, had grown tired of his rackety life on the road and he’d given in to the war of attrition at home. But he was hungry for details about the world he’d left, asking for gossip about other reporters and telling her—and himself—over and over that leaving newspapers was the best thing he’d ever done.

“That’s great. Lucky you,” Kate said, determinedly upbeat. “I’m still slogging along at the Post. Look, Colin, I saw something in the Standard about a baby’s body being found in Woolwich. Any idea how long it’d been there?”

“Oh, that. Hang on, I’ll pull up the details on the computer . . . Here we are. Not much to go on and a bit grim, really. A workman was clearing a demolition site and moved an old urn and underneath was this tiny skeleton. Newborn, they say. Forensics are having a look but it says here that early indications are it’s been there awhile—could be historic, even. It’s a road in student land, towards Greenwich, I think. Don’t you live round that area?”

“North of the river and a bit farther east, actually. Hackney. And still waiting for the gentrification train to stop. What else have you got on your computer? Any leads on identification?”

“No, newborns are tricky when it comes to DNA, says here. Especially if they’ve been underground for years. And the area is a warren of rented flats and bedsits. Tenants changing every five minutes so the copper in charge isn’t optimistic about it. We’ve all got our hands full with the Olympics stuff . . .”

“Yeah, of course,” Kate said. “The security must be a nightmare—I hear you’re having to bus in officers from other forces to cope. And this baby story sounds like a needle-in-a-haystack job. Look, thanks, Colin. It’s been good to catch up. Give my love to Sue. And, Colin, will you give me a call if anything else comes up on this?”

She smiled as she put down the phone. Kate Waters loved a needle-in-a-haystack job. The glint of something in the dark. Something to absorb her totally. Something to sink her teeth into. Something to get her out of the office.

She put on her coat and started the long walk to the lift. She didn’t get far.

“Kate, are you off somewhere?” Terry shouted. “Before you go, you couldn’t untangle this stuff about the Norwegian royals, could you? It’s making my eyes bleed.”

 

Chapter 3

Angela

Tuesday, March 20, 2012

She knew she was going to cry. She could feel it welling up, thickening her throat so she couldn’t speak, and went to sit on the bed for a minute to postpone it. Angela needed to be on her own when it came. She’d tried to fight it over the years—she never cried, normally. She wasn’t the sentimental sort—nursing and living the army life had trained that out of her a long time ago.

But March 20 every year was the exception. It was Alice’s birthday and she would cry. A private moment. She wouldn’t dream of doing it in front of anyone, like the people who stood there and wept in front of cameras. She couldn’t imagine what it felt like, to be on show like that. And the television people kept on filming as though it was some sort of entertainment.

“They should turn off the camera,” she’d said to Nick, but he’d just grunted and kept on watching.

It made her feel uncomfortable but apparently lots of people liked it. The sort of people who tried to be part of everything in the news.

Anyway, she didn’t think anyone would understand why she was still crying all these years later. Decades later. They’d probably say she’d hardly known the baby. She’d had less than twenty-four hours with her.

“But she was part of me. Flesh of my flesh,” she told the skeptics in her head. “I’ve tried to let go but . . .”

The dread would begin in the days before the baby’s birthday and she’d get flashbacks to the silence. That bone-chilling silence in the empty room.

Then, on the day, she would usually wake up with a headache, would make breakfast, and try to act normally until she was alone. This year, she was talking to Nick in the kitchen about the day ahead. He’d been complaining about the mountain of paperwork he had to deal with and about one of the new lads in the stores who kept taking days off sick.

He ought to retire—he’s coming up sixty-five, she thought. But he can’t let go of the business. Neither of us can let go of things, I suppose. He says he needs...

Praise for The Child

“Tense, tantalizing, and ultimately very satisfying...definitely one of the year’s must-reads.”—Lee Child, #1 New York Times bestselling author

“Fiona Barton brings back reporter Kate Waters from the best-selling The Widow and delivers another winner with The Child....A truly engaging tale.”—Associated Press

“A lightning-paced, twisty story with an ending so surprising you might have to read it twice.”—GoodHousekeeping.com

“Multiple narratives mean non-stop action in The Child...Like her fellow novelists, Fiona Barton knows showing is better than telling because it allows for the reader's perspective...whether the conclusion occasions a shock or an 'aha!' doesn't matter; it's satisfying due to all the work that's gone into its discovery.”—NPR.org

“Fiona Barton has masterfully delivered again with The Child, her follow-up to her bestselling debut novel, The Widow....So many questions, so much perfect suspense....Barton tells the child’s story as only she can—brilliantly.”—Fort Worth Star-Telegram

“This being a Barton thriller, there’s more to pretty much everything than meets the eye.”—The Boston Globe

“Fiona Barton has outdone herself with The Child. An engrossing, irresistible story about the coming to light of a long-buried secret and an absolutely fabulous read—I loved it!”—Shari Lapena, New York Times bestselling author of The Couple Next Door

“[An] intriguing, twisty tale....With plenty of red herrings, nothing and no one is who  they seem in this evocative puzzler.”—The Cleveland Plain Dealer

“A slow-burn portrait of loss and survival.”—Entertainment Weekly

“A twisty and tantalizing story you won't be able to put down.”—Bustle

“Startling twists—and a stunning, emotionally satisfying conclusion.”—Publishers Weekly (starred review)

“Clever and compelling. You’ll love The Child.”—Clare Mackintosh, international bestselling author of I See You

Praise for The Widow
 
An NPR Best Book of 2016
One of The Wall Street Journal’s 5 “Killer Books” of the Year
One of Publishers Weekly’s Best Books of the Year

“If you liked Gone Girl and The Girl on the Train, you might want to pick up The Widow by Fiona Barton. Engrossing. Suspenseful.”—Stephen King
 
“A twisted psychological thriller you’ll have trouble putting down.”—People
 
“Fiona Barton’s debut novel, The Widow, is being compared to Gone Girl, Before I Go to Sleep, and The Girl on the Train. It’s actually better than them all.”—Fort Worth Star-Telegram
 
“[A] twisty tale...with a mesmerizing if unreliable narrator...that will blow your mind.”—Oprah.com
 
“[Jean is] a fascinating puzzle...Barton knows how to ramp up tension.”—The New York Times Book Review
 
“Both a taut reconstruction of a crime and a ruthless examination of marriage...A smartly crafted, compulsively readable tale about the lies people tell each other, and themselves, when the truth is the last thing they really want to know.”—Entertainment Weekly
 
“[Barton] delivers the goods...Richly character-driven in a way that is both satisfying and engrossing.”—The Washington Post